Cinema Course Descriptions
Included on this page:
Cinema 1 Introduction To Motion Picture Production
Cinema 2 Beginning Motion Picture Workshop
Cinema 3 - The History Of Motion Pictures
Cinema 4 - History Of The Documentary Film
Cinema 5 - Introduction To Screenwriting
Cinema 6 - Motion Picture Photography
Cinema 7 - Advanced Cinematography And Creative Techniques
Cinema 9 - Motion Picture And TV Sound
Cinema 10 - Introduction To Film Directing
Cinema 15 - Motion Picture Workshop
Cinema 16 - Advanced Film Post-Production
Cinema 17 - Advanced Film Post-Production
Cinema 20 - Business Of Motion Picture Production
Cinema 22 - Digital Audio Post- Production
Cinema 25 - Producing Digital Video Features
Cinema 32 - Editing Fundamentals
Cinema 33 - Digital Video Production Workshop I
Cinema 34 - Motion Picture Soundstage Production Practicum
Cinema 35 - Non-Linear Editing with Final Cut Pro
Cinema 38 - The Motion Picture Grip
Cinema 60 - Entertainment Industry Careers Below-the-line Production Skills
Cooperative Education and Work Experience
Law 33 - Law and the Media
CINEMA 1-INTRODUCTION TO MOTION PICTURE PRODUCTION (3 UNITS)
(4 hours per week during Fall and Spring Semesters)
A comprehensive introduction to basic film production techniques and equipment. Proper procedures are explained for the use of cameras, lenses, film stocks, lights, microphones, audio recorders, editors, and other motion picture equipment. Attention is also given to production planning and post-production. Required of all Cinema majors; open to all others.
Cinema 1,2,3, and 4 are prerequisites for most of the LACC cinema classes. We recommend that you take them the first semester
This class leads to several certificates
This class is offered both day and evening each semester. More information on Cinema 1 
If this course is closed before you enroll, go to the first meeting and the instructor will add you. All students attending the first class meeting will be admitted.
Required textbook: The Filmmaker's Handbook: A Comprehensive Guide in the Digital Age by Ascher and Pincus ( August 28, 2007) (List Price $25) ISBN 9780452286788
Other materials required: Paper for notetaking and scantron forms.
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CINEMA 2 - BEGINNING MOTION PICTURE WORKSHOP (3 UNITS)
(5 hours per week during Fall and Spring Semesters)
Introductory workshop in practical filmmaking. A lecture and laboratory workshop including script, storyboard, direction, cinematography, sound and editing techniques. Each student will be responsible for the making of short films. Required of all cinema majors. Open to all others. We suggest taking Cinema 1 concurrently since much of the technical information will be taught in this class.
Cinema 1,2,3, and 4 are prerequisites for most of the other LACC Cinema classes. We recommend that you take them all the first semester so you may continue seamlessly through the program.
This class leads to several certificates
During the semester, you'll write, direct and produce three films on digital video. While the school has equipment for student use, the inventory is not large. We have a limited number of cameras (Canon ZR's) and tripods (Bogens) which you can check-out but we suggest you consider purchasing your own for convenience. We have 35 editing stations (eMac G-4's with iMovie 6) so if you don't have your own editing system, we have enough stations for everyone to complete their projects. There's no need to buy expensive equipment for this class; any digital camcorder and editing system with a firewire card (PC or Mac) will be just fine. This equipment can be used in subsequent classes as well. To get more information on pricing and features of digital camcorders and digital editing systems, go to "MiniDV Camcorders" and "Digital Video" on our Hotlinks page. (Please note: We can only give technical support for our computer lab, not for your personal equipment). Cinema 2 is offered both day and night each semester.
For your convenience, there are five sections of this class. If the section you want is closed before you enroll, go to the first meeting and the instructor make will attempt to add you. The Department will make every effort to enroll all students attending the first class period of Cinema 2.
Required textbook if you are editing in our lab: iMOVIE 6 & iDVD by David Pogue (list $34.99) ISBN: 0596527268
Required materials: Paper for notetaking, 5 miniDV cassettes (approx $5.00 each) minimum. You may incur other expenses when shooting your projects but costs vary depending upon a number of cirucumstances.. If you purchase your own MiniDV camera, camera tripod, and computer with software. costs will be considerably higher depending upon the equipment you choose. See our Hotlinks page for more information about digital filmmaking.
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CINEMA 3 - THE HISTORY OF MOTION PICTURES (3 UNITS)
(4 hours per week during Fall and Spring Semesters)
History of the development of motion pictures, with examples, from their beginnings to the present day. Emphasis is placed on the American feature film. Required of all first semester cinema majors; open to all students.
Cinema 1,2,3, and 4 are prerequisites for many of the other LACC Cinema classes. We recommend that you take them the first semester
This class leads to several certificates
In addition to lectures on film history, fiction films from the silent era to the modern day will be screened weekly and discussed in our theater. Students will write papers and/or take tests. This class is offered both day and evening each semester.
If this course is closed before you enroll, go to the first meeting and the instructor will add you. All students attending the first class will be admitted.
Required textbook: A History of the Narrative Film by David A. Cook - 4th Edition (list price $78.10) ISBN: 0393978680
Other materials required: Paper for notetaking. Some instructors will require scantron forms.
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CINEMA 4 - HISTORY OF THE DOCUMENTARY FILM (3 UNITS)
(4 hours per week per week during Fall and Spring Semesters)
The development of films dealing with the truth. Film types seen and discussed include: historical, animated, propaganda, educational, commercial, cinema verite and direct cinema. Students will develop critical standards for judging documentary films. Required of all first semester cinema majors. Open to all others.
Cinema 1,2,3, and 4 are prerequisites for many of the other LACC Cinema classes. We recommend that you take them the first semester.
This class leads to several certificates
Held in our theater, you will view a variety of documentary films. You will write papers and/or take tests. This class is offered both day and night each semester.
If this course is closed before you enroll, go to the first meeting and the instructor will add you. All students attending the first class will be admitted.
Beginning Winter 2008 the Required textbook is: A New History of the Documentary Film by Jack C. Ellis and Betsy McLane (List $24.95) . ISBN 0-8264-1751-5
Other materials required: Paper for notetaking. Some instructors will require scantron forms.
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CINEMA 5 - INTRODUCTION TO SCREENWRITING (3 UNITS)
(4 hours per week per week during Fall and Spring Semesters)
Course work consists of writing screenplays. Cinema majors will write scripts for the films they will make in Cinema 15, 16 and 17.
Note: Enrolled students will be dropped and non-enrolled students may not add if not present at the first class session.
Prerequisite: Cinema 1, 2, 3, 4 with satisfactory grades or better.
If you do not have the prerequisite classes for this course, we suggest you take Television 25 - Television and Film Dramatic Writing
This class leads to several certificates
You'll write scripts for short films that you may produce in Cinema 15, 16, and 17. You'll pitch your proposals to the class, prepare treatments, and then write and revise complete scripts. Offered day and night each semester.
Tom Stempel's section: No textbook.
Jim Demarais' section: The Screenwriters Manual by Stephen E. Bowles,Rold Mangravite,Peter A. Zorn, Jr., Pearson Education Inc. 2006, ISBN 0-205-42655-7
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CINEMA 6 - MOTION PICTURE PHOTOGRAPHY (3 UNITS)
(4 hours per week per week during Fall and Spring Semesters)
Introduction to cinematography, including optics, photo emulsions, camera operation, lighting, laboratory procedures, terminology and aesthetics. Students will do individual and group projects using 16mm or minDV camera equipment
Note: Enrolled students will be dropped and non-enrolled students may not add if not present at the first class session.
Prerequisite: Cinema 1, 2, 3, 4 with satisfactory grades or better.
This class leads to several certificates
Spring 2009 Day Section: The class will study the basics of composition and lighting. During the first half of the semester, each student will shoot slides which will be viewed by the class and graded by the instructor. In the second half, each student will shoot 16mm cinematography exercises. Costs (other than textbook) vary between $150 - $300 depending upon scope of projects.. The school supplies the K-3 16mm cameras (the student may use his/her own 16mm camera if so desired) and lighting equipment. The student is expected to furnish his/her own camera for the 35mm slides. The class is held in Sound Stage C
Spring 2009 Evening Section: The class will study the basics of composition and lighting. During the first half of the semester, each student will shoot slides which will be viewed by the class and graded by the instructor. In the second half, each student will shoot miniDV cinematography exercises. Costs (other than textbook) vary between $50-100 depending upon scope of projects. The school supplies the miniDV camera (the student may use his/her own camera if so desired) and lighting equipment. The student is expected to furnish his/her own camera for the 35mm slides. The class is held in Sound Stage C
Both sections are very challenging and time consuming.
(Please note: Fall 2009 Semester
Day section - miniDV (digital video)
Evening section - 16mm film (16mm K-3 Cameras)
Required textbook for 16mm section: Cinematography by Kris Malkiewicz (approx. $22), ISBN: 0074326438X
Recommended: Lighting for Film and Electronic Photography, by Dave Viera (2nd edition)(approx. $58) ISBN: 0-534-26498-0
Required textbook for Digital section: Digital Cinematography by Paul Wheeler List Price $36.95 (Focal press, 2002) ISBN: 0240516141
Recommended: Lighting for Film and Electronic Photography.
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CINEMA 7 - ADVANCED CINEMATOGRAPHY AND CREATIVE TECHNIQUES (3 UNITS)
(4 hours per week per week during Fall and Spring Semesters)
An advanced course in creative cinematography covering professional equipment and techniques used in the motion picture industry. Emphasis is placed on lighting and current industry standards.
Note: Enrolled students will be dropped and non-enrolled students may not add if not present at the first class session.
Prerequisite: Cinema 6 with satisfactory grade or better.
This class leads to a Cinematography Skill Certificate
The student again will shoot a variety of slide projects but differing greatly from those in Cinema 6. The class will practice lighting in all types of conditions and locales (exterior and interior), from a variety of different light sources. Each student will additionally complete a 16mm cinematography exercise using a school supplied Canon Scoopic (or the student may use his/her own 16mm camera). The project is then to be transferred to miniDV. Costs vary between $100 to $500 depending upon scope of projects. This class is very challenging. Offered during the evening only. The class is held in Sound Stage C.
Required Textbooks: Cinematography: Theory and Practice by Blain Brown, ($44.95) ISBN # 0-240-80500-3 - Focal Press
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CINEMA 9 - MOTION PICTURE AND TV SOUND (3 UNITS)
(4 hours per week per week during Fall and Spring Semesters)
Hands-on instruction in the method of recording sound with emphasis on motion pictures. Areas of study include microphones, Nagra, DAT and other digital recorders, location sound recording problems, microphone types and placement, transfer, ADR, Foley, sound effects, sound editing and mixing.
Note: Enrolled students will be dropped and non-enrolled students may not add if not present at the first class session.
Prerequisite: Cinema 1, 2, 3, 4 with satisfactory grades or better.
This class leads to several certificates
The student will learn the basics of production and post-production motion picture sound. Each will master the operation of a Nagra analog tape recorder and a Tascam DAT recorder as well as microphone placement and booming. Post-production techniques will be studied and each student will be required to prepare multi-track sound for mixing. Total cost of materials for class is approximately $100. Offered Saturdays.
Required textbooks: Audio in Media (8th Edition) by Stanley Alten (List $111.95) ISBN: 0495095680
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CINEMA 10 - INTRODUCTION TO FILM DIRECTING (3 UNITS)
(4 hours per week per week during Fall and Spring Semesters)
Introduction to the crafts of acting and directing for the film medium; with emphasis on the visualization of the screen play, the junction of the actor in interpreting the script, and the role of the director in handling actors in the production of a film.
Note: Enrolled students will be dropped and non-enrolled students may not add if not present at the first class session.
Prerequisite: Cinema 1,2,3, 4 with satisfactory grades or better.
This class leads to several certificates
You'll be required to direct one or two scenes with actors. Each week new scenes will be presented which the class and the instructor will evaluate. Offered during day and night Spring and Fall semesters.
Required textbook for Mr. Desmarais' section: Total Directing by Tom Kingdon, Silman-James Press and Siles Press ISBN:1-879505-71-1
Required textbook for Bruce Cook's section: Directing Actors by Judith Weston (approx. $26.95), ISBN: 0-941188-24-8 and Film Directing Shot by Shot by Stephen Katz (List $27.95) ISBN: 0-941188-10-8
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CINEMA 15 - MOTION PICTURE WORKSHOP I (4 UNITS)
(5 hours per week per week during Fall and Spring Semesters)
A practical workshop in 16mm film production, this lecture and laboratory course emphasizes the creative use of the camera, editing, sound and production activities in relation to the fiction film format. Each student will be responsible for making a short film.
Prerequisite: Cinema 5 ,6 ,9, 10 ,11, 20 with satisfactory grades or better.
With professional 16mm motion picture equipment (Eclair NPR, Arriflex SR, GZMO, Bolex, Nagra, KEM, Steenbeck, Tascam, etc.) or digital video (Canon GL-2, Final Cut Pro) you'lll make short 16mm or digital films. For the first project, you can make short films (10 minutes or less), music videos, sketches, essays, documentaries, commercials, or PSA's. Subsequent projects can be up to 30 minutes, All projects can be filmed on our soundstage or on location, depending upon availability. Other students enrolled in the class will work on the crew. The audio post-production is generally done on the computer (Final Cut Pro, Pro Tools). Selected films will be shown to the entire department at the end of the semester. While the school will provide most of the needed equipment, you must bear all other costs. Student directors spend $1,000 - $15,000 for 16mm films, depending upon the scope of the project. Digital projects generally cost much less. This class is offered in the Fall semester only, but Cinema 16 is the replacement class during the Spring semester. Either class can be taken first.
Required Textbook: On Directing Film by David Mamet (List $14) ISBN: 0-14-012722-4
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CINEMA 16 - Motion Picture Workshop II (4 UNITS)
(5 hours per week per week during Fall and Spring Semesters)
The production of a short film or digital video project from script development and production packaging to the acutal shooting, editing and mixing of the film or video.
Prerequisite: Cinema 5, 6, 9, 10, 11 and 20 with satisfactory grades or better.
With professional 16mm motion picture equipment (Eclair NPR, Arriflex SR, GZMO, Bolex, Nagra, KEM, Steenbeck, Tascam, etc.) or digital video (Canon GL-2, Final Cut Pro, Pro-Tools) you will make short 16mm or digital films. For the first project, you can make short films (10 minutes or less) music videos, sketches, essays, documentaries, commercials, or PSA's. Subsequent projects can be up to 30 minutes, All projects can be filmed on our soundstage or on location, depending upon availability. Other students enrolled in the class will work on the crew. The audio post-production is generally done the on computer (Final Cut Pro, Pro Tools). Selected films will be shown to the entire department at the end of the semester. While the school will provide most of the needed equipment, you must bear all other costs. Student directors spend $1,000 - $15,000 on 16mm films, depending upon the scope of the project. Digital projects generally cost much less. This class if offered in the Spring semester only. Cinema 15 is the replacement class during the Fall semester. Either class can be taken first.
Required Textbook: On Directing Film by David Mamet (List $14.00) ISBN: 0-14-012722-4
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CINEMA 17 - ADVANCED FILM POST-PRODUCTION (4 UNITS)
(5 hours per week per week during Fall and Spring Semesters)
Advanced film post-production methods are applied as students learn to prepare for release of a short film that has been produced in Cinema 15 and 16. Included techniques are flatbed or digital editing, foley effects, automatic dialog replacement, and re-recording.
Prerequisite: Cinema 16 with satisfactory grade or better.
Using professional film post-production techniques and equipment, you will edit and complete projects shot in Cinema 15 and 16. This class is offered during the Spring semester only.
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CINEMA 20 - BUSINESS OF MOTION PICTURE PRODUCTION (3 UNITS)
(3 hours per week per week during Fall and Spring Semesters)
A survey of the business aspects of the production of professional motion pictures, ranging from the problems of a beginner getting a job to those of financing, budgeting, producing and selling a film.
Note: Enrolled students will be dropped and non-enrolled students may not add if not present at the first class session.
Prerequisite: Cinema 1, 2, 3, 4, with satisfactory grades or better.
This class leads to a Cinema Production Certificate
Many business aspects of film production are covered in this very comprehensive and challenging class. The instructor will emphasize the budgeting and scheduling of a motion picture using professional production forms and methods. You will be required to purchase budgeting forms. Approximate material cost is $60 in addition to textbooks. Offered during the day in the spring semester, evening during the fall.
Required Textbooks: Film Scheduling, 2nd Edition by Ralph Singleton (List $22.95) IISBN: 0943728398; Rebel without a Crew by Robert Rodriquez (List $15) ISBN 0-452-27187-8. Optional Textbooks: Creating by Robert Fritz (List $19) ISBN 0-449-90801-1; How to Read a Book by Mortimer Jerome Adler (List $14) ISBN 0-671-21209-5.
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CINEMA 22 - PRO TOOLS DIGITAL AUDIO POST- PRODUCTION (3 UNITS)
(4 hours per week per week during Fall and Spring Semesters)
Advanced television and cinema students are introduced to digital audio editing, multi-track mixing and other digital audio post-production techniques using Pro Tools 7.3.
Note: Enrolled students will be dropped and non-enrolled students may not add if not present at the first class session.
Prerequisite: Cinema 9 or Cinema 32 or Television 52 with a satisfactory grade or better.
This class leads to Cinema Post-Production Skill Certificate
You will work with Mac G-4 platforms to learn basic digital audio post-production methods using Pro Tools.
Required Textbook: Protools 7 for MacIntosh and Windows by Steven Roback (list $29.99) ISBN 0-321-34898-2.
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CINEMA 25 - PRODUCING DIGITAL VIDEO FEATURES (3 UNITS)
(3 hours per week per week during Fall and Spring Semesters)
Digital video (DV) has transformed traditional feature film production and distribution. Explore this new frontier and its new and proposed uses on the internet.
Note: Enrolled students will be dropped and non-enrolled students may not add if not present at the first class session.
No Prerequisites required. Textbook will be announced in class.
Business aspects of digital feature production are covered in this informative class. The instructor will present the various challenges along with solutions in producing digital features. You will be asked to prepare a pre-production package along with other assigments. The class will be comprised of lectures, discussions and student presentations. There will be no video production. (See Cinema 2 for opportunities to make short digital films). Offered during the Spring, Summer and Fall.
Required Textbook: The Movie Business by Jason E. Squire (List $16.00) ISBN 0-671-75095-X.
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CINEMA 32 - EDITING FUNDAMENTALS (3 UNITS)
(5 hours per week per week during Fall and Spring Semesters)
Intermediate students develop editing skills using basic non-linear digital equipment.
Note: Enrolled students will be dropped and non-enrolled students may not add if not present at the first class session.
Prerequisite: Cinema 1, 2, 3, 4, with satisfactory grades or better.
This class leads to several certificates
You'll work with 16MM flatbeds and Apple Mac G-4 platforms using Final Cut Express to learn editing techniques. The class emphasis will be on improving aesthetic editing skills, not software or assistant editing procedures. Projects will include cutting rushes from various films and TV shows which will be graded for editing fundamentals. All digital projects must be edited during class time in the department computer lab. Scenes from feature films will be analyzed and basic editing techniques discussed. The first project will be cut on film, using a 16mm flatbed . ( Class Material Costs: $70 for project plus $25 for supplies.
Required Textbook: Gardner's Guide to Non-Linear Editing: The Cutting Edge by Charles Domokos ISBN# 1589650212 (List $34.95).
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CINEMA 33 - DIGITAL VIDEO PRODUCTION WORKSHOP I (3 UNITS)
(5 hours per week per week during Fall and Spring Semesters)
Intermediate film and television students will produce short video projects using basic digital video cameras and editing systems.
Note: Enrolled students will be dropped and non-enrolled students may not add if not present at the first class session.
Prerequisites: Cinema 1,2,3,4 with satisfactory grades or better.
This class leads to a Cinema Production Certificate
You'll shoot and edit two projects using a miniDV camera (the school provides Canon ZR units but we suggest you provide your own for convenience) and iMovie HD software on eMac G-4 computers under the supervision of the instructor. You may use your own editing equipment if so desired. Click here for more information on Cinema 33/Television 55.
Textbook: iMOVIE 6 & iDVD by David Pogue (list $34.99) ISBN: 0596527268.
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CINEMA 34 - MOTION PICTURE SOUNDSTAGE PRODUCTION PRACTICUM (3 UNITS)
(5 hours per week per week during Fall and Spring Semesters)
Designed for students to gain practical experience in a specific area of motion picture soundstage production in order to develop the necessary skills needed in that aspect of the industry. Included are screenwriting, directing, production management, lighting, cinematography, sound recording and editing.
Note: Enrolled students will be dropped and non-enrolled students may not add if not present at the first class session.
Prerequisite: Cinema 5 or 6 or 7 or 9 or 10 or 35 with a satisfactory grade or better.
Students work in crews on the soundstage and produce digital video projects every 2 weeks. Each student specializes in his or her area of expertise and interest. The class is held in Sound Stage C.
Required textbook: None
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CINEMA 35 - NON-LINEAR EDITING WITH FINAL CUT PRO 5.0 (3 UNITS)
(4 hours per week per week during Fall and Spring Semesters)
Advanced film students are introduced to Macintosh Final Cut Pro non-linear software and are given lectures on film-to-video and other post-production procedures.
Note: Enrolled students will be dropped and non-enrolled students may not add if not present at the first class session.
Prerequisite: Cinema 11 or Cinema 32 with a satisfactory grade or better.
This class leads to a Cinema Post-Production Skill Certificate
Using Final Cut Pro 5 and Mac G-4 computers, you will edit a series of fixed exercises with a partner as well as attend lectures and take tests. The emphasis is placed on learning the software. Fall Semester: Evening only.
Please note: If you do not have the prerequisite courses but wish to take a Final Cut Pro class go to Los Angeles City College Community Services for information on short term classes (not affiliated with the LACC Cinema-TV Department).
Recommended: Focal Easy Guide to Final Cut Pro 5 by Rick Young (list $24.95) ISBN:978-0-240-52015-5.
OR Recommended: Focal Easy Guide to Final Cut Pro 6 by Rick Young (list $26.95) ISBN (10/13): 0240810090 / 9780240810096.
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CINEMA 38 - THE MOTION PICTURE GRIP (3 UNITS)
(4 hours per week per week during Fall and Spring Semesters)
In this hands-on course, students learn basic grip skills and operate equipment and tools used on location and the motion picture stage.
No Prerequisites
Using the LACC soundstage and studios, you will be trained and then work on student projects as grips using professional grip equipment. The will become familiar with tools, expendables, knots, mounts, filters and gels, camera dollies and other specialized devices.
Required textbooks: Uva's Basic Grip Book by Michael Uva (List $28.95) ISBN 0-240-80485-6
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CINEMA 60 - ENTERTAINMENT INDUSTRY CAREERS BELOW-THE-LINE PRODUCTION SKILLS (3 UNITS)
Offered Fall Semesters Only
(4 hours per week beginning Fall 2007)
Introductory course to the skills needed to obtain and keep a position in the motion picture or television industries. Skills taught include working with production managers, first assistant directors, production designers, and script supervisors, with a focus on basic safety issues in each department.
No Prerequisites
Guest experts give detailed information about the various below-the-line jobs and duties in the motion picture and television industries. Included are detailed breakdowns of film production, safety rules, budgeting and job positions including the production manager, production designer, first assistant director, script supervisor and many more.
Required textbook: Hollywood Drive: What it Takes to Break in, Hang in, & Make it in the Entertainment Industry by Eve Light Honthaner published by Focal Press ISBN 0-240-80668-9 List $22.95.
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COOPERATIVE EDUCATION AND WORK EXPERIENCE (1 TO 4 UNITS)
Film and Television students receive credit for acceptable internships in the industry under the direction of supervising Cooperative Education director. Students meet occasionally with the director and keep a diary of their work. Internship opportunities are made available to the Cinema-Television Department but it is the responsibility of the student to secure one. This course is offered every semester, and is repeatable - no textbook. The student must be enrolled in seven or more units at LACC (which may include up to four Co-op Ed units). Contact the Vaughn Obern at (323) 953-4000 ext. 2627 or obernvg@lacitycollege.edu.
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LAW 33 - LAW AND THE MEDIA ( 3 UNITS)
(3 hours per week)
An overview of the legal aspects of the entertainment industry. The student will be exposed to legal aspects of contractual agreements; copyright requirements; privacy; regulations of the Federal Communications Commission; libel and slander; freedom of speech and press; publishing rights; trademarks; unions; and related concerns.
Advisory: English 28 with a grade or better.
This lecture class is offered by the Law Department and is an option for the Cinema Production Certificate.